Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Hendrik Cornelisz. Vroom
Ausfahrt der Ostindiensegler

ID: 89348

Hendrik Cornelisz. Vroom Ausfahrt der Ostindiensegler
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Hendrik Cornelisz. Vroom Ausfahrt der Ostindiensegler


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Hendrik Cornelisz. Vroom

painted Ausfahrt der Ostindiensegler in c. 1630-1640   Related Paintings of Hendrik Cornelisz. Vroom :. | Delft as seen from the west | Dutch ships ramming Spanish galleys off the English coast, 3 October 1602 | Day seven of the battle with the Armada, 7 August 1588. | Ausfahrt der Ostindiensegler | Ships trading in the East. |
Related Artists:
Paul-Louis Bouchard
French, 1853-1937
Montald, Constant
Belgian Painter, 1862-1944 Belgian painter, illustrator and teacher. He studied at the Koninklijke Academie of Ghent, and first made his mark by winning the Prix de Rome in 1886 with Diagorus Borne in Triumph. This success allowed him to travel throughout Europe and the Near East. In 1896 he took part in the first Salon d'Art Id?aliste, organized by Jean Delville, and exhibited there regularly. In the same year he became professor of decorative art at the Acad?mie Royale des Beaux-Arts in Brussels, a post he held for the next 37 years. He was a founder-member of L'Art Monumental in 1920
Fede Galizia
(1578 - 1630) was an Italian Renaissance painter, a pioneer of the still life genre. Fede Gallizi, better known as Galizia, was born in Milan in 1578. Her father, Nunzio Galizia, also a painter of miniatures, had moved to Milan from Trento. Fede (whose name means "faith") learned to paint from him. By the age of twelve, she was sufficiently accomplished as an artist to be mentioned by Gian Paolo Lomazzo, a painter and art theorist friend of her father, who wrote, "This girl dedicates herself to imitate our most extraordinary art." At a young age, Fede was already an established portrait painter handling many commissioned works. Perhaps it was her father's influence as a miniaturist that led to Fede's attention to detail in her portraits. Her treatment of jewels and clothing made her a very desirable portrait painter. She was often commissioned to paint religious and secular themes as well. Several of her paintings based on the deuterocanonical story of Judith and Holofernes, a popular theme in art of the period, survive in private collections. Perhaps her earliest was Judith and Her Handmaiden painted in 1596 which is now in Sarasota Florida at the Ringling Museum of Art. She also created miniatures and altarpieces for convents.






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